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I spent most of the day in my hotel room, alternating between rewriting the last part of the talk and trying to better memorize the first part. Finally, late that night, I settled on my final script. I liked it. Finally. Only one problem. |
Back at 3A with the last part |
this time with only about 16 hours until the talk. |
I woke up the morning of my talk, did some jumping jacks in my hotel room like a psycho, and then spent four hours saying the last part over and over, eventually getting things here: |
That would have to be good enough—I was out of time. I showed up at the theater the required 90 minutes before my talk for “hair and makeup,” i.e. an upsettingly-friendly lady painting my face with stuff while I engaged in a 10-minute discussion with her about her two cats back at home. Finally free of that, I spent the final hour pacing back and forth and running through the talk in my head, and then, suddenly, I was doing this: |
I will say this: The TED stage is a weirdly comforting place. It doesn’t feel like you’re in some huge theater—it feels like you’re on some little red circle surrounded by a bunch of friendly, supportive people who want you to succeed. They designed it that way on purpose, and it works. I was less nervous doing the actual talk than I had been in any of the rehearsals. |
当天我在旅店改改结尾背背开头。晚上很晚的时候我才满意地定稿,但是还有一个问题。 |
第二天早上在房间里像精神病似的做了几个跳跃运动,花了4小时背结尾,最后成这样: |
能这样已经不错,毕竟没时间了。用90分钟在剧场洗头整理,因为一个过度友好的女士让我帮她把两只猫送回家,拒绝就用了10分钟,最后她往我脸上画了些东西。好不容易处理好,最后4小时我走来走去,脑子里想了一遍又一遍讲稿。突然,我: |
我想说:TED的舞台出奇地舒服。感觉起来不像在剧场,就像站在被默默为你加油的观众围着的小红圈上。TED就是这么设计的,而且很奏效。比上拖延日子里的紧张,演讲已经不算什么了。 |
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